Recognition

Press &
Accolades

Best Short Form Music Video

Grammy Award

"Pork and Beans", 51st Grammy Awards

2009

RIAA Certification

5× Platinum

The Blue Album, US Certified

1994–2024

Top 20 Peak

Billboard 200

The Blue Album, #16

1994–95

Breakthrough Video · Best Alternative · Best Direction · Best Editing

MTV VMAs, 4 Awards

"Buddy Holly", Directed by Spike Jonze

1995

Library of Congress

National Recording Registry

The Blue Album, Inducted

2026

Ongoing Cultural Impact

Rock & Roll Legacy

Three Decades of Alternative Rock

30+ Years

As Seen In, Weezer Coverage

Weezer

Featured Coverage

Rolling Stone
Pitchfork
NPR Music
Spin
NME
Billboard
The A.V. Club
Entertainment Weekly

The Record, In Detail

Documented, Dated,
and Sourced

Grammy Award · February 8, 2009

Best Short Form Music Video, “Pork and Beans”

At the 51st Grammy Awards on February 8, 2009, Weezer won the Grammy for Best Short Form Music Video for “Pork and Beans”. The award was shared with director Mathew Cullen and producer Bernard Rahill.

The video, released May 23, 2008, assembled the era's defining internet figures around the band and became a time capsule of early online culture. It drew four million views in its first week and went on to surpass 34 million.

The single itself spent eleven consecutive weeks at #1 on Billboard's Modern Rock Tracks chart. The Grammy came fifteen years after the band's formation, recognition earned in year fifteen of a career built on longevity rather than a single moment.

Source: The Recording Academy, official Grammy record for Weezer, 51st Annual Grammy Awards, February 8, 2009

MTV Video Music Awards · September 7, 1995

Four Awards for “Buddy Holly”

At the 12th MTV Video Music Awards, held September 7, 1995 at Radio City Music Hall, “Buddy Holly” won four of its five nominations, tying for the most awards of the night.

Directed by Spike Jonze, the video spliced the band into archival footage from Happy Days, staging a performance at Arnold's Drive-In. It was shot in a single day at Charlie Chaplin Studios in Hollywood.

  • Breakthrough Video

    The award recognizing the most creatively innovative video of the year.

  • Best Alternative Video

    The year's best video in the alternative rock category.

  • Best Direction

    Spike Jonze, for the concept and execution of the video.

  • Best Editing

    Eric Zumbrunnen, for the integration of original footage with Happy Days archival material.

Source: UPI, wire record of the 1995 MTV Video Music Awards winners, September 8, 1995

RIAA Certification · 1994 to 2024

The Blue Album, 5× Platinum

Weezer's self-titled 1994 debut, the Blue Album, holds a 5× Platinum certification from the Recording Industry Association of America, five million certified units in the United States alone.

The certification arc is the story: Gold on December 1, 1994, Platinum on January 13, 1995, 2× Platinum on August 8, 1995, 3× Platinum on November 13, 1998, and 5× Platinum on October 2, 2024, thirty years after release.

No re-release or nostalgia cycle drove those milestones. Each certification was earned by new listeners finding the record through streaming, film placements, internet culture, and the band's continuous touring.

Source: RIAA, Gold & Platinum Database, search “Weezer”, certified October 2, 2024

Billboard 200 · 1994–1995

Top 20 Peak for a Debut on Its Own Terms

The Blue Album, released May 10, 1994 on DGC/Geffen Records, climbed the Billboard 200 to a #16 peak, an ascent powered by three Spike Jonze-directed singles: “Undone, The Sweater Song”, “Buddy Holly”, and “Say It Ain't So”.

Produced by Ric Ocasek of The Cars at Electric Lady Studios in New York, the record reached the top 20 with no prior single success and no radio prioritization, a chart position earned on songwriting.

Source: Billboard, Weezer chart history, Billboard 200

Library of Congress · National Recording Registry · May 2026

Permanent Preservation in the National Recording Registry

In May 2026, the Library of Congress selected Weezer's 1994 debut for the National Recording Registry, the federal archive of recordings deemed “culturally, historically, or aesthetically significant” and preserved permanently as part of the nation's sound heritage. The Blue Album was among the top vote-getters in public nominations, entering a 25-recording class alongside Beyoncé's “Single Ladies (Put a Ring on It)” and Taylor Swift's 1989.

The Registry does not measure sales. It measures whether a recording still matters. Thirty-two years after release, the federal government's answer was yes.

Source: Library of Congress, National Recording Registry, class of 2026