Patrick George Wilson · Carlsbad, California
OPUS helps artists, founders, and family offices treat catalogs, touring businesses, and brands as long-term assets, not one-off paydays.

Most people in music understand the art or the money. Few have carried both. Patrick George Wilson has spent thirty years on a stage with Weezer and in the CFO's chair at Weezer Touring, Inc., running the numbers on one of alternative rock's most durable enterprises.
That dual seat shapes how OPUS works. A catalog is not a trophy; it is an income-producing asset that needs the same discipline as any balance sheet. The owners who win over twenty years think like stewards, not sellers.
If you own creative work, build long-term equity, or steward wealth that touches IP, the conversation starts at patrick@opuswilson.com.
No projections, no promises. What exists, what it has done, and where the work continues.
Twenty studio albums, including the Gold Album due in August 2026, with continuous streaming activity across every major platform since 1994. Three decades of compounding brand equity with a multigenerational audience.
Weezer Touring, Inc. has operated as a structured corporate entity across domestic and international markets for over thirty years, with formal CFO oversight throughout.
An independent catalog of four albums, founded and led by Patrick, active across streaming distribution, sync, merchandise, and live performance.
A mature thirty-year publishing catalog with placement history across film, television, and advertising. The work continues to be licensed because the songs continue to be played.
Five moves that stop a catalog from quietly leaking value. Free, from the desk of Patrick George Wilson.
Written for artists, founders, and family offices. Registrations, splits, masters, and the twenty-year view, in one page you can actually finish.
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Every inquiry is read personally. Serious proposals receive a direct response.
Brand licensing and sync placement across one of alternative music's most recognizable catalogs: film, television, advertising, and product collaboration.
Structured partnerships connected to an actively touring enterprise and an owned independent catalog, built for parties who think in decades.
Strategic counsel for entertainment companies, artists with assets, and family offices holding creative IP, drawn from thirty years of running both the art and the numbers.
One letter, on or around the first of the month. Field notes from inside a thirty-year career, written from the chair of the artist who also became the CFO.
No sales. No volume. One-click unsubscribe at the bottom of every letter. Patrick reads every reply.